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The State of Media Investing: How Content and Licensing Drive

BY REGINA BRAUER (PLAYLAND FUND | CIO)
SEPTEMBER 2024

In today’s media landscape, the ownership of content and licensing rights is one of the most valuable assets for major companies like Universal Music Group (UMG), Disney, and Warner Music Group. These media conglomerates are not just producing and distributing content—they own massive portfolios of intellectual property (IP) that generate significant revenue streams through licensing, distribution, and content syndication. This has made the media sector an increasingly attractive area for investors, as the rise of streaming platforms and digital consumption continues to drive demand for content.

The Power of Content Ownership

In the modern entertainment world, content is king. Companies like Universal Music Group (UMG) own a vast catalog of music, including songs by top artists such as Taylor Swift, Drake, and The Beatles. This ownership translates to revenue through various channels: licensing songs for commercials, movies, and TV shows; streaming royalties from platforms like Spotify, Apple Music, and YouTube; and sales of physical albums and merchandise. For UMG, owning music content is a long-term revenue generator because of the evergreen nature of popular music and its continual use across different media formats.

UMG went public in 2021, and since then, investors have been drawn to its expansive content portfolio, which drives consistent revenue. In fact, UMG alone controls around 30% of the global recorded music market. This dominance allows them to secure lucrative deals with streaming services and negotiate higher royalties, providing a steady and growing income stream.

Similar dynamics apply to Warner Music Group (WMG), another major player in the music industry. Like UMG, WMG generates revenue from its vast music catalog, which is regularly licensed for films, commercials, video games, and more. The transition from physical sales to digital streaming has been a major growth driver for both companies, as streaming services pay licensing fees to access their catalogs. As more platforms emerge, the value of this content continues to appreciate.

How Licensing Translates to Revenue

Content licensing is a highly lucrative business, especially when it involves iconic brands and properties. Disney serves as an excellent example. Not only does Disney produce its own blockbuster films through Marvel, Pixar, and Lucasfilm, but it also licenses its characters, stories, and music to other companies for merchandise, theme parks, and various media adaptations. In 2023, Disney’s global licensing and retail business generated over $56 billion, a testament to the power of owning beloved IP.

For media companies, licensing deals are a significant way to extend the lifecycle of content. A popular movie or show, for instance, doesn’t just earn money during its box office run or premiere. It can continue to generate revenue for decades through syndication, streaming deals, and licensing 
agreements. This is particularly true for legacy properties like Friends or The Office, which continue to be highly popular on platforms like Netflix and Peacock.

Music companies like UMG and WMG operate similarly. When they license music for films, television, or commercials, they receive royalties based on usage. In addition to streaming income, this creates an additional revenue stream that doesn’t require the company to produce new content—they simply monetize the IP they already own.

The Stock Market and Media Companies

The financial performance of media companies is closely tied to their ability to generate revenue from their content libraries. For instance, Universal Music Group’s IPO in 2021 valued the company at more than $50 billion, a reflection of investor confidence in its content and licensing strategy. Investors see long-term potential in UMG's diverse and powerful music catalog, which generates predictable and recurring revenue.

Similarly, media conglomerates like Disney, ViacomCBS, and Warner Bros. Discovery have seen their stock prices rise as streaming has exploded. By owning both the platforms and the content (or in some cases, licensing content from other creators), these companies are able to generate revenue from multiple sources—direct consumer subscriptions, advertising, and licensing deals. This diversified revenue model is attractive to investors, as it provides stability in a media landscape that is constantly changing.

Why Investors Are Interested

Investors are particularly drawn to media companies that have:

  • Strong IP Portfolios: The more valuable the intellectual property (like Disney’s Marvel or UMG’s music catalog), the more lucrative the licensing opportunities.
  • Control of Distribution: Companies like Netflix and Disney+ not only produce original content but also control how that content is distributed, ensuring a greater share of profits.
  • Scalability of Content: Streaming platforms and global syndication deals mean that content can be consumed worldwide, making every piece of IP more valuable.

The Future of Media Investments

As streaming platforms continue to proliferate and consumer demand for digital content grows, the value of owning media content is only set to increase. Companies that can maximize the reach and monetization of their content portfolios will continue to attract investors, while those that rely on traditional media revenue models may struggle to keep up,

In conclusion, media companies like Universal Music Group, Warner Music Group, and Disney are prime examples of how owning and licensing content can translate into substantial financial gains. For investors, the media industry represents an evolving opportunity where content ownership is not just a creative asset but a significant financial one that can generate returns  for decades through licensing, syndication, and streaming

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